There have been penalties for those who looked the other way when Epstein was convicted of child sex offences and decided to maintain relationships with the financier — but not for the British ambassador to Washington, reveals SOLOMON HUGHES
Arts are the lifeblood of the struggle
RICHARD BURGON explains how creativity was and is an integral and indispensable part of the struggle for socialism
The Clash in Norway
[Pic: Helge Overas/Creative Commons] 
Labour’s new Treasury unit will ‘challenge unnecessary regulation’ by forcing nominally independent bodies like Ofwat to bend to business demands — exactly what Iain Anderson’s corporate clients wanted, writes SOLOMON HUGHES
DR DYLAN MURPHY looks at a Big Brother Watch report which exposes the government as an enabler of DWP secret spying on benefit claimants
The EU faces a critical choice: will it remain in the shadow of an increasingly unreliable US ally, or will it forge its own path in a multilateral world where co-operation with China is essential, asks MARC VANDEPITTE as leaders meet for the EU-China Summit
A lot of discussion about how the left should currently organise – including debate on whether the Green Party is a useful vehicle for advance – runs the risk of refusing to engage with or learn from the reasons the left was defeated previously, argues KEVIN OVENDEN
For Egypt trade trumps the Israeli genocide of the Palestinians, but how long can the country’s ‘misleaders’ – and others in the region – continue their indifference against the popular will of their own people, asks ROGER McKENZIE
I WAS delighted to take part in a fantastic event last week at the Klondyke Club in in Manchester. It was an event organised by young activists in Momentum to discuss culture and the labour movement.
It was very positive to see an event focused on this aspect of our movement. Any genuine, living mass movement must have a cultural aspect and by that I mean an interaction with the arts, be that literature, music or drama.
The socialist movement has always had a cultural aspect to it. And it should not be forgotten that the very act of making the lives or struggles of so-called “ordinary” working class people the subject of literature, music or drama has been and remains intensely political of itself, as it challenges the notion that these things are not a worthy focus of art or culture.
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