Mask-off outbursts by Maga insiders and most strikingly, the destruction and reconstruction of the presidential seat, with a huge new $300m ballroom, means Trump isn’t planning to leave the White House when his term ends, writes LINDA PENTZ GUNTER
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Arts are the lifeblood of the struggle
RICHARD BURGON explains how creativity was and is an integral and indispensable part of the struggle for socialism
The Clash in Norway
[Pic: Helge Overas/Creative Commons]
BEN CHACKO speaks with Knesset member OFER CASSIF about rising political violence, the prospects for peace and his continuous ‘silencing by suspension’
The City is leaning on Rachel Reeves to cut welfare spending — when what’s needed is cuts to all the benefits given to the mega rich, corporations and banks to help them not pay or blatantly dodge their fair share of tax, explains BERNIE EVANS
The choice between two Blairites to revamp the tepid centrism of our ruling party doesn’t even come as cold comfort as we wander the city streets suffering from their third decade of austerity and the fifth of wage stagnation, writes MATT KERR
ANN HENDERSON looks at the trailblazers of the Women’s Trade Union League and their successful fight for female factory inspectors — a battle that echoes in today’s workplace campaigns
HENRY FOWLER puts the strike of public-sector workers in New Zealand in the wider context of deteriorating employment conditions throughout the world’s major economies
MAT COWARD looks back at a protest 105 years ago this month, whose reporting by the media bears uncomfortable similarities with demos today
I WAS delighted to take part in a fantastic event last week at the Klondyke Club in in Manchester. It was an event organised by young activists in Momentum to discuss culture and the labour movement.
It was very positive to see an event focused on this aspect of our movement. Any genuine, living mass movement must have a cultural aspect and by that I mean an interaction with the arts, be that literature, music or drama.
The socialist movement has always had a cultural aspect to it. And it should not be forgotten that the very act of making the lives or struggles of so-called “ordinary” working class people the subject of literature, music or drama has been and remains intensely political of itself, as it challenges the notion that these things are not a worthy focus of art or culture.
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