WILL STONE fact-checks the colourful life of Ozzy Osbourne
Album reviews with Chris Sealre: May 17, 2022
JAMES CROSSLEY applauds a lucid biography of the German radical preacher who reemerged as a hero in the GDR
Prizes all round: the Bard hands plaudits to the Miners Gala, OT&JC, Joe Solo, Black Sabbath’s frontman and the Lionesses
Star cartoonist JAMIE BRITTON is in awe of a graphic novel of epic proportions that explores class, religion and globalisation via the strange cultivation of Ginseng in the US Midwest
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
Mario Laginha
Jangada
Edition Records
★★★★
The Portuguese pianist Mario Laginha, born in Lisbon in 1960, describes his new album which he calls Jangada (or Raft) as the result of a creative process of “picking up pieces of driftwood and binding them together to form a whole.”
With bassist Bernardo Moreira and drummer Alexandre Frazao, he does just that with his pianism, forging a record of delights from fragments of sound, with a touch that reminds me of the great American pianist Ran Blake, who once made an album called Driftwoods.
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