GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
The after effects of rape
SIMON PARSONS salutes drama that registers how the impact of the sexual assault ripples out through every element of a family’s existence
Miles Molan, Rosie Day and Tok Stephen in When It Happens to You
[Mark Douet]
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
When It Happens To You
Park Theatre, London
AMERICAN author Tawni O’Dell’s deeply personal memoir about the rape of her grown-up daughter Esme and the shattering after-effects on both her and her children must have been an important cathartic exercise when first performed in New York, with O’Dell playing herself, but risks being too intimate and personalised to fully work on stage.
With Amanda Abbington at the heart of the European Premiere taking Tawni’s role as Tara, Esme’s divorced mother, the play’s simple narrative style becomes more than just a dramatic reading as the enduring impact of the sexual assault ripples out through every element of the family’s existence.
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