Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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The after effects of rape
SIMON PARSONS salutes drama that registers how the impact of the sexual assault ripples out through every element of a family’s existence
Miles Molan, Rosie Day and Tok Stephen in When It Happens to You
[Mark Douet]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
When It Happens To You
Park Theatre, London
AMERICAN author Tawni O’Dell’s deeply personal memoir about the rape of her grown-up daughter Esme and the shattering after-effects on both her and her children must have been an important cathartic exercise when first performed in New York, with O’Dell playing herself, but risks being too intimate and personalised to fully work on stage.
With Amanda Abbington at the heart of the European Premiere taking Tawni’s role as Tara, Esme’s divorced mother, the play’s simple narrative style becomes more than just a dramatic reading as the enduring impact of the sexual assault ripples out through every element of the family’s existence.
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