Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
Latest editorial
Acute parliamentary question from Fritz
The playwrights interrogation of why people are driven to acts of terrorism is a pressing one for those in power, says PAUL FOLEY
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Parliament Square
Royal Exchange Theatre, Manchester
WHAT drives someone to commit an act of complete desperation in the hope that it will change things for the better? Given the senseless events that have happened at Manchester Arena and elsewhere so far this year, that simple question, posed in James Fritz’s Parliament Square, makes it a timely and necessary play.
Its protagonist, Kat, can no longer sit by and watch the world descend into chaos. The relentless despair pouring form the news bulletins has seeped into her bones.
Similar stories
PAUL FOLEY picks out an excellent example of theatre devised to start conversations about identity, class and belonging
PAUL FOLEY is disappointed by a production that encourages the audience to laugh at rather than with the characters
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
PAUL FOLEY applauds a faultless musical that tells the tragic real-life story of working-class winners of the football pools