WILL STONE fact-checks the colourful life of Ozzy Osbourne
Parliament Square
Royal Exchange Theatre, Manchester
WHAT drives someone to commit an act of complete desperation in the hope that it will change things for the better? Given the senseless events that have happened at Manchester Arena and elsewhere so far this year, that simple question, posed in James Fritz’s Parliament Square, makes it a timely and necessary play.
Its protagonist, Kat, can no longer sit by and watch the world descend into chaos. The relentless despair pouring form the news bulletins has seeped into her bones.

PAUL FOLEY welcomes a dramatic account of the men and women involved in the pivotal moment of the 5th Pan African Congress

PAUL FOLEY picks out an excellent example of theatre devised to start conversations about identity, class and belonging

