GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
Latest editorial
‘We are looking at spiritual affinities and how these liberate and at the same time transcend the political’
CHRIS SEARLE speaks to South African pianist NDUDUZO MAKHATINI
Nduduzo Makhathini performing in Amsterdam on 28 October 2021
[Dirk Neven]
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
NDUDUZO MAKHATINI is an extraordinary pianist. Born in Umgungundlovu, Pietermaritzburg, South Africa in 1982, his musical universe carries the spirits of his Zulu ancestry, engendered through his piano studies at Durban University of Technology and his doctoral research at the University of Stellenbosch.
Similar stories
CHRIS SEARLE pays tribute to the late South African percussionist, Louis Moholo-Moholo
CHRIS SEARLE speaks to Ethiopian vocalist SOFIA JERNBERG
CHRIS SEARLE speaks to saxophonist and retired NHS orthopaedic surgeon ART THEMEN
Chris Searle speaks to saxophonist XHOSA COLE and US tap-dancer LIBERTY STYLES