To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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‘It’s fascinating what humans not doing human shit can mean for the world’
George Fogarty speaks to US Surrealist Blues poet AJA MONET
Aja Monet
[Courtesy of Aja Monet]
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
“WHO’s got time for poems when the world’s on fire?” asks Aja Monet in the heart-achingly beautiful and gut-wrenchingly honest For Sonia. Her answer, it becomes clear, is that it is precisely when the world’s on fire that the movement, such as it is, needs the nourishment that poetry provides.
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